Musically it is not too bad, I have a feeling that there is influences here from Stevie Wonder to the vocals in places, a little bit of dub in the bass, some nice touches to the drums; but ultimately it is a little bit forgettable by the end of it.
To a certain extent, Smother follows a similar ethos, taking pleasure in moments of tranquility and subtlety. May 1st, 19 replies Release Date: It was brilliant creative-wise: Did most of the writing take place out there?
I was there on holiday over Christmas - I have a friend who lives out there, and he hooked me up with this film maker. The idea of making a body of work, having an idea and not knowing where it is going to go was inspiring.
Soulful and bluesy in a way that still acknowledges the existence of the various strains of cutting-edge electronic music emanating from the UK, Mirrorwriting is one of 's most assured and confident debuts.
As ever with reviews, an unbiased approach to the record from a neutral perspective was needed. Shipping and handling This item will ship to Germany, but the seller has not specified shipping options.
But the exposure was great; I definitely noticed the hits on the videos go up and it helped me sell out the tickets on that tour. Some of it did.
How do you decide which tracks will eventually keep acoustic guitar? They can still drive the track in the same way the acoustic guitar can. He can sing, I cannot take that away from the man and I would not want to; but there is a difference between passion and talent, the man might have a talent for singing, but there is little to no passion to that performance.
We offer unbeatable prices, quick shipping times and a wide selection second to none. Learn more- opens in a new window or tab Quantity: Jamie Woon's vocals are do not sound at home with the music for me.
I will be honest, it is still not making my world spin around and I am not engaging with it in a way I would be with something by someone like Kendrick Lamar or Roni Size for example neither artist is similar to Jamie Woon, but they are both so far from my average listening that I need a map to get back - a decent number, but no more than that.
It came to me first to a melody, and then the lyrics, which sounded to me like a bluesy lament. Take, for instance, James Blake's debut - the intricacy and precision of the production ensuring that silence becomes part of the music, with the sparsity allowing every thrum of bass to resonate, every beat to plummet, and the vocals to glide serenely across the epic sonic landscape.
We went to a place in Cornwall by the sea, and then also a cottage in the Cotswolds for a couple of weeks as well, where there was no phone reception, auto responders on e-mails, no facebook - none of that.
Sunday, 22 May Album Review: When they aren't being discreetly filthy, Wild Beasts display their darkness, from the Coleridge-referencing gloom of 'Albatross', or the haunting, gothic melodrama of 'Invisible'.
Woon was in no rush to complete a second album. Despite the freshness of Making Time, it sure sounds like the work of the same songwriter and producer who recorded the auspicious Mirrorwriting.
They are like a code, and all you need is a mirror to read it. This isn't to suggest that Wild Beasts have gone all post-dubstep on Smother, although there's certainly a throbbing bassline at the core of 'Albatross'.
I like this one a lot more than others on here, but it is still not winning me over. No, but it does sound like the natural ending for this record and it does add some energy to this record.
It's an opinion widely shared at this show, where his easy flourishes around the scales on dub number Night Air or the three-part scat harmonies of Forgiven whip everyone into the kind of impassioned whooping that makes a judge spin their chair to see what all the fuss is about.
How did that compare, creative-wise, to being in the city? Taking that attitude would be missing the point a little, though; regardless of how accurate it is, the reality is that Woon very rarely writes songs that call for the kind of gutbusting, screaming emotional highs that most people think of when they imagine soul.
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Located at the midpoint between UK bass and swooning lounge pop, Jamie Woon follows Katy B and James Blake as justifiably big-deal potential crossovers. Apt title. In the four years since the fragile bleeps of his Burial-produced debut, Mirrorwriting, south London soul boy Jamie Woon.
Jamie Woon’s debut Mirrorwriting came out inthe same year James Blake released his first album. Both Londoners specialised in nocturnal R&B ballads, all soft crooning and hushed atmosphere. Jan 03, · Jamie Woon - Making Time Album Review () Given his debut single found him working with secretive dubstep producer Burial, Jamie Woon has come a long way since he first appeared inand much of that way has been towards the middle of the road.
Mirrorwriting is the debut offering of hotly tipped 27 year old Jamie Woon, son of Celtic folkstress Mae McKenna and graduate of the famed Brit School musical breeding ground. The much anticipated release is an eclectic mix of soulful slow jams and R&B excursions that writhe in brooding soundscapes, skirting the peripheries of dubstep and post-xx indie.Download